Great cinema... Twice monthly!


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Evelyn Wednesday, March 5, 7:00 pm
Evelyn (PG)

(Ireland, 2001)
  Set in 1953 Dublin, Evelyn is based on a true story that resulted in sweeping changes to Irish custody laws. Director Bruce Beresford tells the tale unemployed decorator Desmond Doyle (Pierce Brosnan), whose three children are taken into care after he is deserted by his wife. With the help of a sympathetic barmaid (Julianne Margulies), her solicitor brother (Stephen Rea), a visiting Irish-American lawyer (Aidan Quinn) and a hard-drinking ex-rugby playing law professor (Alan Bates), he takes on Church and State in a bid to reunite his family.

"The film's root theme - a father's love for his children - is a proven cinematic favorite, and Beresford develops it perfectly. Evelyn offers plenty of lighthearted humor and gently manipulative melodrama" * * * -- James Berardinelli




Wednesday, March 19, 7:00 pm
Adaptation (AA)

(USA, 2002)

Nicholas Cage in Adaptation ACADEMY AWARD WINNER, BEST SUPPORTING ACTOR, CHRIS COOPER

  Adaptation is some kind of a filmmaking miracle, a film that is at one and the same time (a) the story of a movie being made, (b) the story of orchid thievery and criminal conspiracies, and (c) a deceptive combination of fiction and real life. The movie has been directed by Spike Jonze, who with Charlie Kaufman as writer made Being John Malkovich, the best film of 1999. If you saw that film, you will (a) know what to expect this time, and (b) be wrong in countless ways.

"Leaves you breathless with curiosity." * * * * -- Roger Ebert, Chicago Sun-Times

"Screenwriting this smart, inventive, passionate and rip-roaringly funny is a rare species.... The most original and outrageous film comedy since Being John Malkovich. " * * * * -- Rolling Stone




Salma Hayek in Frida Wednesday, April 2, 7:00 pm
Frida (AA)

(USA/Canada, 2001)
NOMINATED FOR 6 ACADEMY AWARDS, INCLUDING:
  BEST ACTRESS, SALMA HAYEK
  ART DIRECTION
  COSTUME DESIGN
  MAKEUP
  ORIGINAL SCORE AND ORIGINAL SONG

  Julie Taymor's biopic tells the story of an extraordinary life. Frida Kahlo (Salma Hayek), born of a German Jewish father and a Mexican mother, grew up in Mexico City at a time when it was a hotbed of exile and intrigue. Diego Rivera (Alfred Molina) was already a legend when she met him. Equally gifted at art, carnal excess and self-promotion, his murals overshadowed her art. In marriage, they expected loyalty but not fidelity, yet became passionately jealous.

"(Taymor) breaks out of realism to suggest the fanciful colors of Frida's imagination. But real life itself is bizarre in this marriage, where the partners build houses side by side and connect them by a bridge between the top floors." * * * ½ -- Roger Ebert, Chicago Sun-Times

"Hayek has never been better: she pulls off the neat trick of disappearing completely into her character." * * * ½ -- Catharine Tunnacliffe, eyeWEEKLY




Ararat Wednesday, April 16, 7:00 pm
Ararat (AA)

(Canada/France, 2002, in English, French and Armenian)

WINNER OF 5 GENIE AWARDS, INCLUDING:
  BEST ACTRESS, ARSINEE KHANJIAN
  BEST SUPPORTING ACTOR, ELIAS KOTEAS
  BEST ORIGINAL SCORE
  BEST COSTUME DESIGN
  AND BEST PICTURE

  Atom Egoyan (The Sweet Hereafter, Felicia's Journey) has made a film within a film that deals with the Armenian genocide of 1915 by the Turkish military. The central character is Raffi (David Alpay), an 18-year-old Armenian Canadian who becomes increasingly involved in the emotional issue of his people's genocide. His mother Ani (Arsinee Khanjian) is a historian with an intimate knowledge of the Armenian massacre, having lost her activist husband. Ani is invited by a famous director (Charles Aznavour) to consult on a Hollywood version of the Armenian tragedy. His film includes the story of an American doctor (Bruce Greenwood) caught in the middle of the melee. While Ani becomes increasingly involved with the film, Raffi flies to Armenia to get a sense of his nation's history, and put closure on the death of his father.

"Egoyan interweaves the strands of his plots and themes so tightly that the elusive yet haunting presence of the genocide hovers over everything while he explores the complexities of redemption and forgiveness, the parent-child relationship, the relationship between art and reality, and the moral imperative to remember the past. Egoyan covers all this territory and more with aplomb and clarity." -- Kevin Thomas, LA Times

"Ararat is easily Egoyan's most ambitious picture to date." -- James Berardinelli




Rabbit-Proof Fence

Wednesday, April 30, 7:00 pm
Rabbit-Proof Fence (PG)

(Australia, 2002)
  Based on true events, Rabbit-Proof Fence is a moving story of racial prejudice, agoraphobic desert vistas, and amazing endurance as three girls walk 1,500 miles to find their mothers in 1930s Australia. The forcible detention of mixed race children was a disastrous racist policy which, astonishingly, continued until the early '70s. Rabbit-Proof Fence stands as a powerful, worthy testimony to the suffering of the stolen generations.

"A powerful tale of courage and the indomitable quality of the human spirit.... This is one of 2002's most memorable imports." * * * ½ -- James Berardinelli




Wednesday, May 14, 7:00 pm
The Pianist (AA)

(UK/France/Germany/Poland/Netherlands, 2002; in German and English)

The Pianist ACADEMY AWARD WINNER:
  BEST ACTOR, ADRIEN BRODY
  BEST DIRECTOR, ROMAN POLANSKI
  BEST ADAPTED SCREENPLAY

  Roman Polanski's most powerful film since Chinatown is set in 1939 Warsaw, shortly after Poland's defeat to Germany. The film is based on the autobiography of celebrated Jewish pianist Wladyslaw Szpilman, played with amazing range by Adrien Brody. The pianist was playing Chopin on a Warsaw radio station when the first German bombs fell. Resolved that they're not going anywhere, the family is then forced to watch as the restrictions against Jews become increasingly more odious. Instead of taking us into the depths of Auschwitz, the film leaves us on the streets of Warsaw, where survival was no more assured. A powerful account by someone who remembers, devoid of melodrama; deft and masterful.

"Adrien Brody['s] ... forceful portrayal of the title character represents one of the year's best male performances." * * * ½ -- James Berardinelli




Spider

Wednesday, May 28, 7:00 pm
Spider (AA)

(France/Canada/UK, 2002)

WINNER, BEST CANADIAN FEATURE FILM, TORONTO INTERNATIONAL FILM FESTIVAL
GENIE AWARD WINNER, BEST DIRECTOR, DAVID CRONENBERG
NOMINATED FOR THE GOLDEN PALM AWARD, CANNES FILM FESTIVAL

  Thanks to the extraordinary efforts of Ralph Fiennes and Miranda Richardson, Spider is David Cronenberg's most perfectly realized film since Dead Ringers. Fiennes plays the title character, a mentally disturbed man who returns to his neighbourhood in London's East End after being released to a halfway house. The various levels of reality, memory and fantasy blur as Spider begins to relive the horrific events of his childhood.

"While the muttering, blank-eyed Fiennes is superb, he's outdone by Richardson, who plays Spider's saintly mother as well as the tart his dad (Gabriel Byrne) brings home from the pub. Cronenberg depicts Spider's psychological disintegration with unprecedented elegance and restraint." * * * * * -- Jason Anderson, eye WEEKLY




Marion Bridge Wednesday, June 11, 7:00 pm
Marion Bridge (AA)

(Canada, 2002)

BEST CANADIAN FIRST FEATURE (TORONTO INTERNATIONAL FILM FESTIVAL 2002)

  Marion Bridge is the story of three sisters paralyzed by family secrets. In the midst of struggling to overcome her self-destructive behaviour, the youngest sister, Agnes, returns home determined to confront the past in a community built on avoiding it. Her quest sets in motion a chain of events that allows the sisters each in their own way to re-connect with the world and one another. Set in post-industrial Cape Breton, Marion Bridge is a story of poignant humor and drama.

The film stars Molly Parker (Max, Kissed), Rebecca Jenkins (Bye Bye Blues, Black Harbour) and Stacy Smith (New Waterford Girl). Directed by new talent Wiebke von Carolsfeld, Marion Bridge was written by Daniel MacIvor (The Five Senses), based upon his Governor General's Award-nominated play.




Wednesday, June 25, 7:00 pm
EXPECTING
and Pass Holders' Party

Traditionally, we screen a light-hearted Canadian film. This will be followed by our 6th Annual Year-End Soirée. Celebrity sightings are highly probable, schedules permitting.

The year-end party is for QFA passholders only; the film is open to all.

"Standout [Valerie] Buhagiar tackles Stephanie’s vulnerability and wide range of emotions without the slightest bit of hesitation, and given that she spends a good deal of the film nude, this is certainly one of the most naked performances (literally and figuratively) you’ll see for a while." -- David Nusair, Exclaim